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Hey Dalton, Let me know if you see this! I'm not sure if I'm doing it right, but I'm excited to try new things. It feels like the 2000s! I'm ready to put on Fall Out Boy and make you a mixtape, and you can send one back with Pierce the Veil. I'm trying to capitalize things and be grammatically correct for the sake of archiving, I'm sure that will fall out of habit soon... Miss you lots and love you, Sabi P.S. Is this copyrightable?
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Shenandoah

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 Hey Sabi! I'm writing this over dinner (nothing fancy, just leftover Mexican food), so I'm hoping my fingers don't grease my keyboard too much. It's sort of gross how you can tell which keys I hit more frequently based on the degree that the matte finish has been smoothed over by oils. The WASD junction in particular has long been sleek from years of playing video games. It's sort of a stretch, but the only way I can conceive of tying that into the main topic is via the concept that rivers also become prominent by treading the same ground many times. New water or new keystrokes will tend to follow the narrative already set, or if not, typically only deviate enough to make slow, gradual changes in pattern. In this way, my nasty keyboard and nature are also like folk songs. Earlier today I got a YouTube notification from one of our favorite chiptune, jazz, and film score artists, Disasterpeace. He had uploaded an old track from around 2008 titled "Shenandoah....
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